Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 23
... directly , can be brought closer to what the audience directly knows , or can be brought to see , of men and affairs . This manner is brilliantly developed in King John . There is a new activity in the descriptive passages , as in the ...
... directly , can be brought closer to what the audience directly knows , or can be brought to see , of men and affairs . This manner is brilliantly developed in King John . There is a new activity in the descriptive passages , as in the ...
Pagina 68
... directly in this way it is plain that what we have to deal with , what we are engaged in , is not simply an objective analysis of the ways in which apparently opposed atti- tudes lead to the same predicament . Troilus and Cressida ...
... directly in this way it is plain that what we have to deal with , what we are engaged in , is not simply an objective analysis of the ways in which apparently opposed atti- tudes lead to the same predicament . Troilus and Cressida ...
Pagina 71
... directly the dizzy bewilder- ment whose causes they seem simply to describe . We are made directly aware of what is meant by the metaphor of the abysses of the mind . It is not only the personality of Cressida that yawns apart beneath ...
... directly the dizzy bewilder- ment whose causes they seem simply to describe . We are made directly aware of what is meant by the metaphor of the abysses of the mind . It is not only the personality of Cressida that yawns apart beneath ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole