Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 23
... directly , can be brought closer to what the audience directly knows , or can be brought to see , of men and affairs . This manner is brilliantly developed in King John . There is a new activity in the descriptive passages , as in the ...
... directly , can be brought closer to what the audience directly knows , or can be brought to see , of men and affairs . This manner is brilliantly developed in King John . There is a new activity in the descriptive passages , as in the ...
Pagina 68
... directly in this way it is plain that what we have to deal with , what we are engaged in , is not simply an objective analysis of the ways in which apparently opposed atti- tudes lead to the same predicament . Troilus and Cressida ...
... directly in this way it is plain that what we have to deal with , what we are engaged in , is not simply an objective analysis of the ways in which apparently opposed atti- tudes lead to the same predicament . Troilus and Cressida ...
Pagina 71
... directly the dizzy bewilder- ment whose causes they seem simply to describe . We are made directly aware of what is meant by the metaphor of the abysses of the mind . It is not only the personality of Cressida that yawns apart beneath ...
... directly the dizzy bewilder- ment whose causes they seem simply to describe . We are made directly aware of what is meant by the metaphor of the abysses of the mind . It is not only the personality of Cressida that yawns apart beneath ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words