Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 47
Pagina 71
... death . The question asked by Hamlet ( the whole play , not merely the Prince ) , though obscurely and in a sense inarticulately , concerns an obsession with death . Implicit in the play is a sense of the connexion between an over ...
... death . The question asked by Hamlet ( the whole play , not merely the Prince ) , though obscurely and in a sense inarticulately , concerns an obsession with death . Implicit in the play is a sense of the connexion between an over ...
Pagina 194
... death is often one expression of the fear of living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming re- conciled to death , Mr. Eliot can show us life , too , made ...
... death is often one expression of the fear of living , for death is one of the life - processes that seem too terrifying to be borne . In examining one means of becoming re- conciled to death , Mr. Eliot can show us life , too , made ...
Pagina 195
Lionel Charles Knights. Now for Hamlet , on the other hand , death is mere negation ; but at the same time he is fascinated by it , fascinated not merely by ' the dread of something after death ' , but by the whole process of earthly ...
Lionel Charles Knights. Now for Hamlet , on the other hand , death is mere negation ; but at the same time he is fascinated by it , fascinated not merely by ' the dread of something after death ' , but by the whole process of earthly ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words