Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 45
... course of the play , disappointed . Since there is no close poetic texture lengthy quotation is unnecessary , but it is worth remarking how often the pattern of hope and disappointment is repeated . Hotspur at Shrewsbury so we are ...
... course of the play , disappointed . Since there is no close poetic texture lengthy quotation is unnecessary , but it is worth remarking how often the pattern of hope and disappointment is repeated . Hotspur at Shrewsbury so we are ...
Pagina 80
... course of your lewd lives . DON ANTONIO . Change our natures ; go bid a Black- amoor be white , we follow our Constitutions , which we did not give ourselves . DON LOPEZ . What we are , we are by Nature , our reason tells us we must ...
... course of your lewd lives . DON ANTONIO . Change our natures ; go bid a Black- amoor be white , we follow our Constitutions , which we did not give ourselves . DON LOPEZ . What we are , we are by Nature , our reason tells us we must ...
Pagina 161
Lionel Charles Knights. Like to the Pontic sea , Whose icy current and compulsive course Ne'er feels retiring ebb ... Even so my bloody thoughts , with violent pace , Shall ne'er look back ... Leavis comments : ' At this climax of the ...
Lionel Charles Knights. Like to the Pontic sea , Whose icy current and compulsive course Ne'er feels retiring ebb ... Even so my bloody thoughts , with violent pace , Shall ne'er look back ... Leavis comments : ' At this climax of the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words