Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 8
... course more compressed and more striking : ' light thickens ' has an element of sur- prise which is lacking in the trope about night's ' black contagious breath ' . And in the two and a half lines from Macbeth there is more going on ...
... course more compressed and more striking : ' light thickens ' has an element of sur- prise which is lacking in the trope about night's ' black contagious breath ' . And in the two and a half lines from Macbeth there is more going on ...
Pagina 38
... course that Time's ' rage ' is always the ostensible or formal subject . It is simply that whenever there is occasion to mention Time and ' nature's changing course ' the theme takes possession : there is a sharpness and urgency of ...
... course that Time's ' rage ' is always the ostensible or formal subject . It is simply that whenever there is occasion to mention Time and ' nature's changing course ' the theme takes possession : there is a sharpness and urgency of ...
Pagina 80
... course of your lewd lives . DON ANTONIO . Change our natures ; go bid a Black- amoor be white , we follow our Constitutions , which we did not give ourselves . DON LOPEZ . What we are , we are by Nature , our reason tells us we must ...
... course of your lewd lives . DON ANTONIO . Change our natures ; go bid a Black- amoor be white , we follow our Constitutions , which we did not give ourselves . DON LOPEZ . What we are , we are by Nature , our reason tells us we must ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words