Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 13
Pagina ix
... comedy raises one or more problems not only those of the particular play but those resulting from an ever more serious applica- tion of thought , seconded by emotion , to the infinitely various aspects of the human condition ...
... comedy raises one or more problems not only those of the particular play but those resulting from an ever more serious applica- tion of thought , seconded by emotion , to the infinitely various aspects of the human condition ...
Pagina 29
... comedy of their first meeting , where Worcester and Hot- spur take turns in deflating each other's rhetoric : WORCESTER .... And now I will unclasp a secret book , And to your quick - conceiving discontents I'll read you matter deep and ...
... comedy of their first meeting , where Worcester and Hot- spur take turns in deflating each other's rhetoric : WORCESTER .... And now I will unclasp a secret book , And to your quick - conceiving discontents I'll read you matter deep and ...
Pagina 43
... comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems , at first perplex ...
... comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems , at first perplex ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words