Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 20
... comedy ; we may fairly assume it was because he could not suppress his interest in the actuality of the demagogue , in the private motives and muddles that at any time may make their impact- transient or more lasting on the public world ...
... comedy ; we may fairly assume it was because he could not suppress his interest in the actuality of the demagogue , in the private motives and muddles that at any time may make their impact- transient or more lasting on the public world ...
Pagina 43
... comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems , at first perplex ...
... comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems , at first perplex ...
Pagina 253
... Comedy , p . 121. In his later book , The Dream of Learning , Mr James clearly brings out the play's affirmative qualities as ' a peculiar labour of knowing ' . Mr James's account of Shakespeare's development from Hamlet to King Lear ...
... Comedy , p . 121. In his later book , The Dream of Learning , Mr James clearly brings out the play's affirmative qualities as ' a peculiar labour of knowing ' . Mr James's account of Shakespeare's development from Hamlet to King Lear ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words