Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 36
Pagina 32
... bring a slovenly unhandsome corse Betwixt the wind and his nobility . ( 1. iii . 42-5 ) There is deliberate juxtaposition , with an effect of implicit critical comment , as when Vernon's description of the Prince of Wales and his ...
... bring a slovenly unhandsome corse Betwixt the wind and his nobility . ( 1. iii . 42-5 ) There is deliberate juxtaposition , with an effect of implicit critical comment , as when Vernon's description of the Prince of Wales and his ...
Pagina 85
... brings into the play conceptions of Nature and human nature , radically opposed to the traditional conceptions ... bring to a focus far wider issues . Lear goes mad because he is a mind in conflict ; because his conscious view of ...
... brings into the play conceptions of Nature and human nature , radically opposed to the traditional conceptions ... bring to a focus far wider issues . Lear goes mad because he is a mind in conflict ; because his conscious view of ...
Pagina 90
... brings home with superb force it is that neither man's reason nor his powers of perception function in isolation ... bringing into our consciousness more than can be described in objective terms of what Lear sees and suffers ...
... brings home with superb force it is that neither man's reason nor his powers of perception function in isolation ... bringing into our consciousness more than can be described in objective terms of what Lear sees and suffers ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words