Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 31
Pagina 55
... appearance and reality . With death , because it is the supreme instance of the disturbing and thwarting aspects of time's action . With appearance and reality because the mere passage of time -whose million'd accidents Creep in ' twixt ...
... appearance and reality . With death , because it is the supreme instance of the disturbing and thwarting aspects of time's action . With appearance and reality because the mere passage of time -whose million'd accidents Creep in ' twixt ...
Pagina 67
... appearance , and what M. Fluchère calls ' an intolerable anxiety ' . It is , in short , not opposed but complementary to the public realism of the Greeks . 3 I have spoken of a further condition that must qualify our approach to the ...
... appearance , and what M. Fluchère calls ' an intolerable anxiety ' . It is , in short , not opposed but complementary to the public realism of the Greeks . 3 I have spoken of a further condition that must qualify our approach to the ...
Pagina 71
... appearance of identity , just as it is not only , a few lines later , ' the bonds of heaven ' that are ' slipp'd , dissolv'd , and loos'd ' . It was a deep non - logical apprehension — yet working with a logic of its own -- that ...
... appearance of identity , just as it is not only , a few lines later , ' the bonds of heaven ' that are ' slipp'd , dissolv'd , and loos'd ' . It was a deep non - logical apprehension — yet working with a logic of its own -- that ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words