Some Shakespearean Themes |
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Pagina 43
Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems ...
Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems ...
Pagina 55
CHAPTER IV The Theme of Appearance and Reality in Troilus and Cressida Apart T the period when Shakespeare wrote the Second Part of King Henry IV his concern with the domina- tion of life by time was not an exclusive preoccupation .
CHAPTER IV The Theme of Appearance and Reality in Troilus and Cressida Apart T the period when Shakespeare wrote the Second Part of King Henry IV his concern with the domina- tion of life by time was not an exclusive preoccupation .
Pagina 71
It is not only the personality of Cressida that yawns apart beneath the appearance of identity , just as it is not only , a few lines later , ' the bonds of heaven ' that are ' slipp'd , dissolv'd , and loos'd ' .
It is not only the personality of Cressida that yawns apart beneath the appearance of identity , just as it is not only , a few lines later , ' the bonds of heaven ' that are ' slipp'd , dissolv'd , and loos'd ' .
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole