Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 43
... appearance of a Falstaff who seems , at first perplex- ingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that we thought we knew had ...
... appearance of a Falstaff who seems , at first perplex- ingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that we thought we knew had ...
Pagina 55
... appearance and reality . With death , because it is the supreme instance of the disturbing and thwarting aspects of time's action . With appearance and reality because the mere passage of time -whose million'd accidents Creep in ' twixt ...
... appearance and reality . With death , because it is the supreme instance of the disturbing and thwarting aspects of time's action . With appearance and reality because the mere passage of time -whose million'd accidents Creep in ' twixt ...
Pagina 71
... appearance of identity , just as it is not only , a few lines later , ' the bonds of heaven ' that are ' slipp'd , dissolv'd , and loos'd ' . It was a deep non - logical apprehension - yet working with a logic of its own - that prompted ...
... appearance of identity , just as it is not only , a few lines later , ' the bonds of heaven ' that are ' slipp'd , dissolv'd , and loos'd ' . It was a deep non - logical apprehension - yet working with a logic of its own - that prompted ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole