Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 82
... Lear ; and the consciousness of Lear is part of the consciousness of human kind . There is the same density of effect through- out . One character echoes another : the blinding of Gloucester parallels the cruelty done to Lear ...
... Lear ; and the consciousness of Lear is part of the consciousness of human kind . There is the same density of effect through- out . One character echoes another : the blinding of Gloucester parallels the cruelty done to Lear ...
Pagina 97
... Lear gives way com- pletely , sleeps , and is carried to Cordelia . The question is whether what we have here is a weary subsidence into the only wisdom that is ultimately possible , or whether , although representing an extreme point ...
... Lear gives way com- pletely , sleeps , and is carried to Cordelia . The question is whether what we have here is a weary subsidence into the only wisdom that is ultimately possible , or whether , although representing an extreme point ...
Pagina 250
... Lear's madness to the action of his daughters - that is , to something external to himself : ' As Lear looks into Goneril's heart his wits begin to turn ' . " The real horror lies not in the fact that Goneril and Regan can cause the ...
... Lear's madness to the action of his daughters - that is , to something external to himself : ' As Lear looks into Goneril's heart his wits begin to turn ' . " The real horror lies not in the fact that Goneril and Regan can cause the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words