Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 74
Lionel Charles Knights. CHAPTER V King Lear F , at the end of King Lear , we feel that the King's angry I and resounding question , " Who is it that can tell me who I am ? ' has indeed been answered , that is because Shakespeare has ...
Lionel Charles Knights. CHAPTER V King Lear F , at the end of King Lear , we feel that the King's angry I and resounding question , " Who is it that can tell me who I am ? ' has indeed been answered , that is because Shakespeare has ...
Pagina 106
... LEAR . Pray , do not mock me : I am a very foolish fond old man , Fourscore and upward , not an hour more or less ... King Lear , however , is more than a purgatorial experi- ence culminating in reconciliation : what it does in fact ...
... LEAR . Pray , do not mock me : I am a very foolish fond old man , Fourscore and upward , not an hour more or less ... King Lear , however , is more than a purgatorial experi- ence culminating in reconciliation : what it does in fact ...
Pagina 249
... King Lear ' ( Critics and Criticism , Ancient and Modern , ed . R. S. Crane , pp . 108 ff . ) , should be noticed here . Keast criticizes Heilman because his method ' necessitates treating the very premises on which the characterization ...
... King Lear ' ( Critics and Criticism , Ancient and Modern , ed . R. S. Crane , pp . 108 ff . ) , should be noticed here . Keast criticizes Heilman because his method ' necessitates treating the very premises on which the characterization ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words