Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 8
... King John . Not only is the coming on of night vividly evoked , and with it a sensation of moral torpor , but the enclosed image of the crow returning to its nest intro- duces an extra vibration as the murderer momentarily follows its ...
... King John . Not only is the coming on of night vividly evoked , and with it a sensation of moral torpor , but the enclosed image of the crow returning to its nest intro- duces an extra vibration as the murderer momentarily follows its ...
Pagina 47
... king ; Harry the fifth's the man . . . FALSTAFF . What , is the old king dead ? PISTOL . As nail in door : the things I speak are just . FALSTAFF . Away , Bardolph ! saddle my horse . Master Robert Shallow , choose what office thou wilt ...
... king ; Harry the fifth's the man . . . FALSTAFF . What , is the old king dead ? PISTOL . As nail in door : the things I speak are just . FALSTAFF . Away , Bardolph ! saddle my horse . Master Robert Shallow , choose what office thou wilt ...
Pagina 74
Lionel Charles Knights. CHAPTER V King Lear F , at the end of King Lear , we feel that the King's angry I and resounding question , " Who is it that can tell me who I am ? ' has indeed been answered , that is because Shakespeare has ...
Lionel Charles Knights. CHAPTER V King Lear F , at the end of King Lear , we feel that the King's angry I and resounding question , " Who is it that can tell me who I am ? ' has indeed been answered , that is because Shakespeare has ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words