Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 8
... John . Not only is the coming on of night vividly evoked , and with it a sensation of moral torpor , but the enclosed image of the crow returning to its nest intro- duces an extra vibration as the murderer momentarily follows its ...
... John . Not only is the coming on of night vividly evoked , and with it a sensation of moral torpor , but the enclosed image of the crow returning to its nest intro- duces an extra vibration as the murderer momentarily follows its ...
Pagina 26
... John are not quite so explicit . When the contending parties meet before Angiers both the King of France and the Duke of Austria profess lofty and dis- interested motives ; and even John , whose ' strong posses- sion ' of the crown is ...
... John are not quite so explicit . When the contending parties meet before Angiers both the King of France and the Duke of Austria profess lofty and dis- interested motives ; and even John , whose ' strong posses- sion ' of the crown is ...
Pagina 27
... John , it is true , is not an entirely satisfactory play . At the end the English lords , who have revolted because of what they consider John's crime against Arthur , on learning that the Dauphin intends to double - cross them return ...
... John , it is true , is not an entirely satisfactory play . At the end the English lords , who have revolted because of what they consider John's crime against Arthur , on learning that the Dauphin intends to double - cross them return ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words