Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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Pagina 161
... Iago - that Iago who is so much less than a fully drawn ' character ' whose motives we are invited to examine , and so much more than a mere ' necessary piece of dramatic mechanism ' . What we have to notice here is that Iago's mode ...
... Iago - that Iago who is so much less than a fully drawn ' character ' whose motives we are invited to examine , and so much more than a mere ' necessary piece of dramatic mechanism ' . What we have to notice here is that Iago's mode ...
Pagina 162
... Iago is ' the spirit of denial , wholly negative ' , adding also that it is precisely this coarse , reductive cynicism against which an egocentric romanticism is so defenceless . Iago , as Maud Bodkin says , is ' the shadow - side of ...
... Iago is ' the spirit of denial , wholly negative ' , adding also that it is precisely this coarse , reductive cynicism against which an egocentric romanticism is so defenceless . Iago , as Maud Bodkin says , is ' the shadow - side of ...
Pagina 163
... Iago's ability to know : This honest creature doubtless Sees and knows more , much more , than he unfolds . This fellow's of exceeding honesty , And knows all qualities , with a learned spirit , Of human dealings .. The question at the ...
... Iago's ability to know : This honest creature doubtless Sees and knows more , much more , than he unfolds . This fellow's of exceeding honesty , And knows all qualities , with a learned spirit , Of human dealings .. The question at the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words