Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 198
... Hamlet clings tenaciously to this ' I ' , this self in which he has no faith . It is a centre to which he constantly returns because he finds that in this world there is nothing to which he can cleave with all his soul . A sceptic , Hamlet ...
... Hamlet clings tenaciously to this ' I ' , this self in which he has no faith . It is a centre to which he constantly returns because he finds that in this world there is nothing to which he can cleave with all his soul . A sceptic , Hamlet ...
Pagina 199
... Hamlet , on the other hand , is in the intermediate state of self - consciousness , ' the most unlovable of all condi- tions ' : ' Hamlet is self - conscious man in an unconscious world ' ; what he suffers from is ' a fixation of self ...
... Hamlet , on the other hand , is in the intermediate state of self - consciousness , ' the most unlovable of all condi- tions ' : ' Hamlet is self - conscious man in an unconscious world ' ; what he suffers from is ' a fixation of self ...
Pagina 202
... Hamlet attributes to him . These are données of the case , and it need occasion no surprise when Hamlet declares that ' virtue cannot so inoculate our old stock but we shall relish of it ' This ... Hamlet . 202 AN APPROACH TO ' HAMLET '
... Hamlet attributes to him . These are données of the case , and it need occasion no surprise when Hamlet declares that ' virtue cannot so inoculate our old stock but we shall relish of it ' This ... Hamlet . 202 AN APPROACH TO ' HAMLET '
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words