Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 99
... Fool , places him firmly in the tradition of ' the sage - fool who sees the truth ' ( ' his rôle ' , she adds , ' has even more intellectual than emotional signifi- cance ' ) [ 23 ] . The truths he tells are of various kinds . He can ...
... Fool , places him firmly in the tradition of ' the sage - fool who sees the truth ' ( ' his rôle ' , she adds , ' has even more intellectual than emotional signifi- cance ' ) [ 23 ] . The truths he tells are of various kinds . He can ...
Pagina 100
... Fool and Gloucester stand in a peculiarly close relation to Lear , but whereas the Fool is inseparable from him , Gloucester also connects with a wider world— a world existing independently of Lear's own conscious- ness ( the ...
... Fool and Gloucester stand in a peculiarly close relation to Lear , but whereas the Fool is inseparable from him , Gloucester also connects with a wider world— a world existing independently of Lear's own conscious- ness ( the ...
Pagina 250
... Fool , pp . 261-2 ) . As both Heilman and Danby have insisted , Regan and Goneril represent aspects of Lear's own personality : it is only in this sense indeed that they can ' destroy his integrity ' . 13. As Granville - Barker pointed ...
... Fool , pp . 261-2 ) . As both Heilman and Danby have insisted , Regan and Goneril represent aspects of Lear's own personality : it is only in this sense indeed that they can ' destroy his integrity ' . 13. As Granville - Barker pointed ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words