Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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Pagina 34
Lionel Charles Knights. Shakespeare's philosophy , to be sure , is not Falstaff's . Falstaff too is presented critically , as ' riot and dishonour ' , and even in Part I there is enough to prevent us from taking him ( as we take the ...
Lionel Charles Knights. Shakespeare's philosophy , to be sure , is not Falstaff's . Falstaff too is presented critically , as ' riot and dishonour ' , and even in Part I there is enough to prevent us from taking him ( as we take the ...
Pagina 43
... Falstaff who seems , at first perplex- ingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that we thought we knew had appeared more ...
... Falstaff who seems , at first perplex- ingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that we thought we knew had appeared more ...
Pagina 48
... Falstaff of Jane Nightwork . FALSTAFF . Old , old , Master Shallow . SHALLOW . Nay , she must be old ; she cannot choose but be old ; certain she's old ; and had Robin Nightwork by old Nightwork before I came to Clement's Inn . SILENCE ...
... Falstaff of Jane Nightwork . FALSTAFF . Old , old , Master Shallow . SHALLOW . Nay , she must be old ; she cannot choose but be old ; certain she's old ; and had Robin Nightwork by old Nightwork before I came to Clement's Inn . SILENCE ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words