Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 10
... Elizabethan public theatres , the Elizabethan audiences , and the conventions and traditions of Elizabethan drama suggest that the conditions under which Shakespeare wrote encouraged — or at least allowed for - an active concentration ...
... Elizabethan public theatres , the Elizabethan audiences , and the conventions and traditions of Elizabethan drama suggest that the conditions under which Shakespeare wrote encouraged — or at least allowed for - an active concentration ...
Pagina 12
... Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are apparent if ...
... Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are apparent if ...
Pagina 243
... Elizabethan Love Sonnet , pp . 248 ff . 5. The Scriptural references in which both parts of this play abound ( see Richmond Noble , Shakespeare's Biblical Knowledge , pp . 169-81 ) seem to me to take on a more severe significance in ...
... Elizabethan Love Sonnet , pp . 248 ff . 5. The Scriptural references in which both parts of this play abound ( see Richmond Noble , Shakespeare's Biblical Knowledge , pp . 169-81 ) seem to me to take on a more severe significance in ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words