Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 34
... chapter . This shrewd understanding of men in their political and public aspects and relations ( not ' disillusioned ' , because that implies an attitude to the self quite foreign to Shakespeare , but certainly without illusions ) was ...
... chapter . This shrewd understanding of men in their political and public aspects and relations ( not ' disillusioned ' , because that implies an attitude to the self quite foreign to Shakespeare , but certainly without illusions ) was ...
Pagina 74
... chapters I have indicated some of the converging pressures that com- pelled Shakespeare to the writing of King Lear . In this chapter I shall be mainly concerned with the play's essential significance as I see it . But before passing ...
... chapters I have indicated some of the converging pressures that com- pelled Shakespeare to the writing of King Lear . In this chapter I shall be mainly concerned with the play's essential significance as I see it . But before passing ...
Pagina 253
... CHAPTER VI I. See note 9 to Chapter V , above . 2. Leone Vivante , English Poetry and its Contribution to the Knowledge of a Creative Principle , p . 18. See also Coleridge , ' On Poesy or Art ' , Biographia Literaria , ed . Shawcross ...
... CHAPTER VI I. See note 9 to Chapter V , above . 2. Leone Vivante , English Poetry and its Contribution to the Knowledge of a Creative Principle , p . 18. See also Coleridge , ' On Poesy or Art ' , Biographia Literaria , ed . Shawcross ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words