Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 34
... chapter . This shrewd understanding of men in their political and public aspects and relations ( not ' disillusioned ' , because that implies an attitude to the self quite foreign to Shakespeare , but certainly without illusions ) was ...
... chapter . This shrewd understanding of men in their political and public aspects and relations ( not ' disillusioned ' , because that implies an attitude to the self quite foreign to Shakespeare , but certainly without illusions ) was ...
Pagina 74
... chapters I have indicated some of the converging pressures that com- pelled Shakespeare to the writing of King Lear . In this chapter I shall be mainly concerned with the play's essential significance as I see it . But before passing ...
... chapters I have indicated some of the converging pressures that com- pelled Shakespeare to the writing of King Lear . In this chapter I shall be mainly concerned with the play's essential significance as I see it . But before passing ...
Pagina 253
... CHAPTER VI I. See note 9 to Chapter V , above . 2. Leone Vivante , English Poetry and its Contribution to the Knowledge of a Creative Principle , p . 18. See also Coleridge , ' On Poesy or Art ' , Biographia Literaria , ed . Shawcross ...
... CHAPTER VI I. See note 9 to Chapter V , above . 2. Leone Vivante , English Poetry and its Contribution to the Knowledge of a Creative Principle , p . 18. See also Coleridge , ' On Poesy or Art ' , Biographia Literaria , ed . Shawcross ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole