The following, which the author has named "Graves of a Household," has rather less of external scenery, but serves, like the others, to show how well the graphic and pathetic may be made to set off each other:
"They grew in beauty, side by side, They fill'd one home with glee; Their graves are sever'd, far and wide, By mount, and stream, and sea!
They that with smiles lit up the hall, And cheer'd with song the hearth, Alas! for Love, if thou wert all,
And nought beyond, oh earth!"
We have taken these pieces chiefly on account of their shortness: But it would not be fair to Mrs. Hemans not to present our readers with one longer specimen - and to give a portion of her graceful narrative along with her pathetic descriptions. This story, of "The Lady of the Castle," is told, we think, with great force and
"Thou seest her pictur'd with her shining hair, (Fam'd were those tresses in Provençal song) Half braided, half o'er cheek and bosom fair Let loose, and pouring sunny waves along Her gorgeous vest. A child's right hand is roving 'Midst the rich curls, and, oh! how meekly loving Its earnest looks are lifted to the face, Which bends to meet its lip in laughing grace! Yet that bright lady's eye methinks hath less Of deep, and still, and pensive tenderness, Than might beseem a mother's: On her brow Something too much there sits of native scorn, And her smile kindles with a conscious glow.
These may be dreams! But how shall Woman tell Of woman's shame, and not with tears?— She fell! That mother left that child! - went hurrying by Its cradle haply not without a sigh; Haply one moment o'er its rest serene
She hung-But no! it could not thus have been, For she went on! - forsook her home, her hearth, All pure affection, all sweet household mirth,
To live a gaudy and dishonour'd thing,
Sharing in guilt the splendours of a king."
Her lord, in very weariness of life,
Girt on his sword for scenes of distant strife;
He reck'd no more of Glory :- Grief and shame Crush'd out his fiery nature, and his name Died silently. A shadow o'er his halls
Crept year by year; the minstrel pass'd their walls; The warder's horn hung mute: - Meantime the child, On whose first flow'ring thoughts no parent smil'd, A gentle girl, and yet deep-hearted, grew Into sad youth; for well, too well, she knew Her mother's tale! Its memory made the sky Seem all too joyous for her shrinking eye;
Check'd on her lip the flow of song, which fain Would there have linger'd; flush'd her cheek to pain, If met by sudden glance; and gave a tone
Of sorrow, as for something lovely gone,
Even to the spring's glad voice. Her own was low And plaintive!-Oh! there lie such depths of woe In a young blighted spirit! Manhood rears A haughty brow; and Age has done with tears; But Youth bows down to mis'ry, in amaze At the dark cloud o'ermantling its fresh days,- And thus it was with her. A mournful sight In one so fair-for she indeed was fair- Not with her mother's dazzling eyes of light.
Hers were more shadowy, full of thought and pray'r; And with long lashes o'er a white-rose cheek, Drooping in gloom, yet tender still and meek.
With alms before her castle gate she stood, 'Midst peasant-groups; when, breathless and o'erworn, And shrouded in long robes of widowhood,
A stranger through them broke:-The orphan maid With her sweet voice, and proffer'd hand of aid, Turn'd to give welcome: But a wild sad look Met hers; a gaze that all her spirit shook;
And that pale woman, suddenly subdued By some strong passion in its gushing mood, Knelt at her feet, and bath'd them with such tears As rain the hoarded agonies of years
From the heart's urn; and with her white lips press'd The ground they trode; then, burying in her vest Her brow's deep flush, sobb'd out-Oh! undefil'd! I am thy Mother- -spurn me not, my child!'
"Isaure had pray'd for that lost mother; wept O'er her stain'd memory, while the happy slept In the hush'd midnight; stood with mournful gaze Before yon picture's smile of other days, But never breath'd in human ear the name Which weigh'd her being to the earth with shame. What marvel if the anguish, the surprise, The dark remembrances, the alter'd guise, Awhile o'erpower'd her?—from the weeper's touch She shrank!-'Twas but a moment-yet too much For that all-humbled one; its mortal stroke} Came down like lightning, and her full heart broke At once in silence. Heavily and prone
She sank, while, o'er her castle's threshold-stone, Those long fair tresses-they still brightly wore Their early pride, though bound with pearls no more... Bursting their fillet, in sad beauty roll'd,
And swept the dust with coils of wavy gold.
Her child bent o'er her- call'd her · 'Twas too late- Dead lay the wanderer at her own proud gate!
The joy of courts, the star of knight and bard, - How didst thou fall, O bright-hair'd Ermengarde!"
The following sketch of "Joan of Arc in Rheims," is in a loftier and more ambitious vein; but sustained with equal grace, and as touching in its solemn tenderness. We can afford to extract but a part of it:
Through the rich gloom of pictur'd windows flowing, Tinged with soft awfulness a stately sight,
The chivalry of France, their proud heads bowing In martial vassalage!— while 'midst the ring, And shadow'd by ancestral tombs, a king Received his birthright's crown. For this, the hymn Swell'd out like rushing waters, and the day With the sweet censer's misty breath grew dim, As through long aisles it floated, o'er th' array Of arms and sweeping stoles. But who, alone And unapproach'd, beside the altar-stone,
With the white banner, forth like sunshine streaming, And the gold helm, through crowds of fragrance gleaming, Silent and radiant stood?—The helm was rais'd, And the fair face reveal'd, that upward gaz'd,
Intensely worshipping;-a still, clear face, Youthful, but brightly solemn !- Woman's cheek And brow were there, in deep devotion meek, Yet glorified with inspiration's trace!
"A triumphant strain,
A proud rich stream of warlike melodies,
Gush'd through the portals of the antique fane, And forth she came.".
The hollow heaven tempestuously, were still'd, One moment; and in that brief pause, the tone, As of a breeze that o'er her home had blown, Sank on the bright maid's heart!— Joanne !'
Like those whose childhood with her childhood grew Under one roof? - Joanne!'- that murmur broke With sounds of weeping forth! — She turn'd - she knew Beside her, mark'd from all the thousands there,
In the calm beauty of his silver hair, The stately shepherd! And the youth, whose joy From his dark eye flash'd proudly; and the boy, The youngest-born that ever lov'd her best! Father! and ye my brothers!'- On the breast Of that grey sire she sank and swiftly back, Even in an instant, to their native track
Her free thoughts flow'd. She saw the pomp no more! The plumes, the banners! To her cabin door, And to the Fairy's Fountain in the glade, Where her young sisters by her side had play'd, And to her hamlet's chapel, where it rose Hallowing the forest into deep repose,
Her spirit turn'd. — The very wood-note, sung In early spring-time by the bird, which dwelt Where o'er her father's roof the beech-leaves hung, Was in her heart; a music heard and felt, She unbound
Winning her back to nature!
The helm of many battles from her head, And, with her bright locks bow'd to sweep the ground,
Lifting her voice up, wept for joy, and said,—
'Bless me, my father, bless me! and with thee, To the still cabin and the beechen-tree,
There are several strains of a more passionate character; especially in the two poetical epistles from Lady Arabella Stuart and Properzia Rossi. We shall venture to give a few lines from the former. The Lady Arabella was of royal descent; and having excited the fears of our pusillanimous James by a secret union with the Lord Seymour, was detained in a cruel captivity, by that heartless monarch, till the close of her life- - during which she is supposed to have indited this letter to her lover from her prison house:
“My friend, my friend! where art thou? Day by day, Gliding, like some dark mournful stream, away, My silent youth flows from me! Spring, the while, Comes, and rains beauty on the kindling boughs
Round hall and hamlet; Summer, with her smile,
Fills the green forests; - young hearts breathe their vows; Brothers, long parted, meet; fair children rise
Round the glad board: Hope laughs from loving eyes. "Ye are from dingle and fresh glade, ye flowers!
By some kind hand to cheer my dungeon sent; O'er you the oak shed down the summer showers, And the lark's nest was where your bright cups bent, Quivering to breeze and rain-drop, like the sheen Of twilight stars. On you Heaven's eye hath been, Through the leaves pouring its dark sultry blue Into your glowing hearts; the bee to you
Hath murmur'd, and the rill.
My soul faint With passionate yearning, as its quick dreams paint Your haunts by dell and stream, the green, the free,
The full of all sweet sound, - the shut from me!
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