She then describes the unconscious growth of their mutual passion — enlarges upon her own imprudence in affording him opportunities of declaring it—and expresses her conviction, that the wretched catastrophe was brought about, not by any premeditated guilt, but in a moment of delirium, which she had herself been instrumental in bringing on: "Here then, O Father, at thy feet I own These were his thoughts! But vengeance master'd me, Whom I lov'd best.' Dost thou recall that curse?' Cried Rodrick, in a deep and inward voice, The reins to wrath too long, . . because I wrought Forgive the wicked vengeance thus indulged! As I forgive the King!'"- p. 132. Roderick again stops her enthusiastic self-accusation, and rejects her too generous vindication of the King; — and turning to Siverian, adds "To that old man,' said he, And to the mother of the unhappy Goth, Into my secret ear, but that the child For whom they mourn with anguish unallay'd, 420 RODERICK CASTLE OF COUNT PEDRO. An act of sudden frenzy, when the fiend O Father! Christ requite thee!' she exclaim'd; Thou hast set free the springs which with'ring griefs 66 Then in a firmer speech, "-p. 133, 134. There is great power, we think, and great dramatic talent, in this part of the poem. The meeting of Roderick and Florinda was a touchstone for a poet who had ventured on such a subject; and Mr. Southey, we must say, has come out of the test, of standard weight and purity. The Eleventh Book brings them in safety to the castle of Count Pedro, the father of the young Alphonso, formerly the feudal foe, but now the loyal soldier of Pelayo. They find him arming in his courts, with all his vassals, to march instantly against the Moors: And their joyful welcome, and the parental delight of father and mother at the return of their noble boy, are very beautifully described. The Twelfth Canto continues these preparations. The best part of it is the hasty and hopeful investiture of the young Alphonso with the honours of knighthood. The mixture of domestic affection with military ardour, and the youthful innocence, ingenuous modesty, and unclouded hopes of that blooming age, are feelingly combined in the following amiable picture, in which the classical reader will recognise many touches of true Homeric description: The servants of the 66 Rejoicing in their task, house with emulous love One brings the cuirass, one YOUNG KNIGHTHOOD OF ALPHONSO. The buckler; this exultingly displays The sword, his comrade lifts the helm on high: And for the proof of battle. Many a time Where gleaming to the central fire it hung No season this for old solemnities! For wassailry and sport; . . the bath, the bed, Omitted now,. .here in the face of Heaven Alphonso from that gesture half drew back, Starting in rev'rence, and a deeper hue Spread o'er the glow of joy which flush'd his cheeks. So shall the ceremony of this hour Exceed in honour what in form it lacks.' p. 147-149. 421 The ceremony is followed by a solemn vow of fidelity to Spain, and eternal war with the Infidel, administered by Roderick, and devoutly taken by the young Knight, and all his assembled followers. The Thirteenth Book contains a brief account of the defeat of a Moorish detachment by this faithful troop; and of the cowardice and rebuke of Count Eudon, who had tamely yielded to the invaders, and is dismissed with scorn to the castle which his brave countrymen had redeemed. They then proceed to guard or recover the castle of Pelayo. The Fourteenth Book describes their happy arrival at that fortress, at the fall of evening; where, though they do not find his wife and daughters, who had retired for safety to a sacred cave in the mountains, they meet a joyful and triumphant band of his retainers, returning 422 RODERICK'S INTERVIEW WITH HIS MOTHER. from a glorious repulse of the Moors, and headed by the inspiring heroine Adosinda; who speedily recognises in Roderick her mournful assistant and first proselyte at Auria, while he at the same moment discovers, among the ladies of her train, the calm and venerable aspect of his beloved mother, Rusilla. The Fifteenth Book contains the history of his appearance before that venerated parent. Unable to sleep, he had wandered forth before dawn "that morn With its cold dews might bathe his throbbing brow, That burnt within. Alas! the gales of morn Reach not the fever of a wounded heart! How shall he meet his mother's eye, how make While he is meditating under what pretext to introduce himself, the good Siverian comes to say, that his lady wishes to see the holy father who had spoken so charitably of her unhappy son. -The succeeding scene is very finely conceived, and supported with great judg ment and feeling. "Count Julian's daughter with Rusilla sate; Both had been weeping, both were pale, but calm. Rod'rick approach'd, and bending, on his breast He cross'd his humble arms. Rusilla rose In reverence to the priestly character, Who utters the strange speech shall be admired RECOGNISED BY HIS ARGUS. Father, I feel its virtue...it hath been Balm to my heart! ..With words and grateful tears,...... All that is left me now for gratitude,... I thank thee! and beseech thee in thy prayers 423 - p. 180, 181. The all-enduring King shudders at these words of kindness; - but repressing his emotion O venerable Lady,' he replied, If aught may comfort that unhappy soul It must be thy compassion, and thy prayers. If he hath been, as sure we may believe, A penitent sincere.' p. 182. Florinda then asks his prayers for her unhappy and apostate father; and his advice as to the means of rejoining him. "While thus Florinda spake, the dog who lay Or shame, yet painfullest, thrill'd through the King; Represt his rising heart," &c.- p. 186. He makes a short and pious answer to the desolate Florinda; - and then "Deliberately, in self-possession, still, Himself from that most painful interview And threw his arms around the dog! and cried, 6 While tears stream'd down, Thou, Theron, then hast known Thy poor lost master,... Theron, none but thou!"- p. 187. |