 | Leigh Hunt - 1811 - 510 pagini
...drew a more ludicrous distortion, both of atti. tude and physiognomy, than this effect occasioned : nor was there wanting beside it one of those beautiful...in whom the satirist never extinguished that love uf beauty zshich belonged to him as a poet, so often and so gladly in. troduces as the central figure... | |
 | Samuel Taylor Coleridge - 1812 - 466 pagini
...never drew a more ludicrous distortion both of attitude and physiognomy, than this effort occasioned : nor was there wanting beside it one of those beautiful female faces which the Same Hogarth, in whom the >.atyrist never extinguished that love of beauty which belonged to him as a Poet, so often and so gladly... | |
 | 1815 - 558 pagini
...never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned: nor was there wanting beside it one of those beautiful...gladly introduces as the central figure in a crowd of humorous deformities, which figure (such is the power of true genius) neither acts, nor is meant to... | |
 | 1814 - 1032 pagini
...never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned : nor was there wanting beside it one of those beautiful...that love of beauty which belonged to him as a poet, 50 often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure... | |
 | 1815 - 554 pagini
...never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned: nor was there wanting beside it one of those beautiful...gladly introduces as the central figure in a crowd of humorous deformities, which figure (such is the power of true genius) neither acts, nor is meant to... | |
 | Samuel Taylor Coleridge - 1817 - 326 pagini
...never drew a more ludicrous distortion both of attitude and physiognomy, than this effort occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satyrist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly... | |
 | 1826 - 566 pagini
...was innate, in spite of certain critics calling him a vulgar artist. Coleridge says of him, that " the satirist never extinguished that love of beauty, which belonged to him as a poet." As a painter of morals Hogarth stands without a competitor. The French critics complain, that the English... | |
 | Thomas Curtis (of Grove house sch, Islington) - 512 pagini
...never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned ; nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom iho satirist never extinguished that love of beauty which belonged to him as a poet, so often and so... | |
 | Charles Lamb - 1835 - 376 pagini
...never drew a more ludicrous distortion both of attitude and physiognomy, than this effect occasioned: nor was there wanting beside it one of those beautiful...figure (such is the power of true genius) neither » The Friend, NQ. XVI. acts nor is meant to act as a contrast; but diffuses through all, and over... | |
 | Charles Lamb - 1835 - 390 pagini
...never drew a more ludicrous distortion both of attitude and physiognomy, than this effect occasioned : nor was there wanting beside it one of those beautiful...figure (such is the power of true genius) neither * The Friend, No. XVI. acts nor is meant to act as a contrast ; but diffuses through all, and over... | |
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Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure (such is the power of true genius) neither acts... 
