The Hudson Review, Volumul 15Frederick Morgan Hudson Review, 1962 |
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Pagina 133
... dramatic themes of the play - the quarrel of Oberon and Titania , the confusion of the lovers , Titania's infatuation with Bottom - for which Balanchine used not only parts of Mendelssohn's music for the play but other Mendelssohn ...
... dramatic themes of the play - the quarrel of Oberon and Titania , the confusion of the lovers , Titania's infatuation with Bottom - for which Balanchine used not only parts of Mendelssohn's music for the play but other Mendelssohn ...
Pagina 262
... dramatic force ; the Oscar was Anneliese Rothenberger , with an agreeable light soprano that didn't carry in the huge opera house . Viennese operetta is not a proper concern of the American Opera Society , which should not , then , have ...
... dramatic force ; the Oscar was Anneliese Rothenberger , with an agreeable light soprano that didn't carry in the huge opera house . Viennese operetta is not a proper concern of the American Opera Society , which should not , then , have ...
Pagina 479
... dramatic poetry of all ages ; read- ing with commentary by novelists and literary critics including Katharine Anne Porter , Bernard Malamud , Truman Capote and Gilbert Highet ; concert readings of dramatic poetry including Edward ...
... dramatic poetry of all ages ; read- ing with commentary by novelists and literary critics including Katharine Anne Porter , Bernard Malamud , Truman Capote and Gilbert Highet ; concert readings of dramatic poetry including Edward ...
Cuprins
One Sunday Morning at the Russian Bath story | 15 |
The Sickness verse FREDERICK SEIDEL | 38 |
She with a Missing Finger verse ISABEL CASSERES | 49 |
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