The Aias of Sophocles: With Critical and Explanatory NotesJ. Bartlett, 1851 - 342 pagini |
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Pagina 65
... poet means us to understand , siga nar ' ixtev , in an active , as ἐπίθεσις τῶν πολεμίων , Diod . XIV . c . 80 , οι πεῖρα παρ ' ἐχθρῶν , in a passive signification ; that is , whether Odysseus is represented as eagerly employed in ...
... poet means us to understand , siga nar ' ixtev , in an active , as ἐπίθεσις τῶν πολεμίων , Diod . XIV . c . 80 , οι πεῖρα παρ ' ἐχθρῶν , in a passive signification ; that is , whether Odysseus is represented as eagerly employed in ...
Pagina 66
... poet proceeds , καὶ νῦν ἐπὶ σκηναῖς .... ὥς τις εὔρινος βάσις , the particle ἀεὶ μέν in the first verse being opposed to zal vov in this sense : ut semper . ita nunc quoque , in order to connect closely the proceeding of Odysseus ...
... poet proceeds , καὶ νῦν ἐπὶ σκηναῖς .... ὥς τις εὔρινος βάσις , the particle ἀεὶ μέν in the first verse being opposed to zal vov in this sense : ut semper . ita nunc quoque , in order to connect closely the proceeding of Odysseus ...
Pagina 67
... poet has preferred to place a verb which is peculiarly applicable to a hound , instead of λαμβάνειν , which is more especially appropriate to men . - 3. Καὶ νῦν . These particles , as we have already said , answer to ἀεὶ μέν in this ...
... poet has preferred to place a verb which is peculiarly applicable to a hound , instead of λαμβάνειν , which is more especially appropriate to men . - 3. Καὶ νῦν . These particles , as we have already said , answer to ἀεὶ μέν in this ...
Pagina 69
... poet employs xvg , is unlawful when he employs rvyxávw . We find xvg without a participle twice in the present tragedy : v . 301 , Κἀνήρετ ' ἐν τῷ πράγμα- τος κυροῖ ποτέ , and v . 928 , που μοι γῆς κυρεῖ τῆς Τρωάδος . Several other ...
... poet employs xvg , is unlawful when he employs rvyxávw . We find xvg without a participle twice in the present tragedy : v . 301 , Κἀνήρετ ' ἐν τῷ πράγμα- τος κυροῖ ποτέ , and v . 928 , που μοι γῆς κυρεῖ τῆς Τρωάδος . Several other ...
Pagina 72
... Billerbeck . The anach- ronism here committed by our poet in representing Odysseus as declaring that the accents of his beloved goddess fell upon his ears like the tones of -- the brazen - mouthed Tyrrhenian bell or trumpet , has 72 NOTES .
... Billerbeck . The anach- ronism here committed by our poet in representing Odysseus as declaring that the accents of his beloved goddess fell upon his ears like the tones of -- the brazen - mouthed Tyrrhenian bell or trumpet , has 72 NOTES .