Osgood's Progressive Fifth Reader: Embracing a System of Instruction in the Principles of Elocution, and Selections for Reading and Speaking from the Best English and American Authors : Designed for the Use of Academies and the Highest Classes in Public and Private SchoolsA.H. English & Company, 1858 - 480 pagini |
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Pagina 4
... pitch , force , and rate . It will be seen that dramatic and declamatory pieces have been pretty freely introduced into this part of the book . To these selections the experienced teacher of elocution will not object ; for there is ...
... pitch , force , and rate . It will be seen that dramatic and declamatory pieces have been pretty freely introduced into this part of the book . To these selections the experienced teacher of elocution will not object ; for there is ...
Pagina 5
... .. 14 Accentuation .......... Rules for Pronunciation ....... Emphasis Inflection 19 20 23 27 Pitch ... Force Rate ....... Quality of Voice ........ 45 ....................... ......... 48 50 ............... ..........................
... .. 14 Accentuation .......... Rules for Pronunciation ....... Emphasis Inflection 19 20 23 27 Pitch ... Force Rate ....... Quality of Voice ........ 45 ....................... ......... 48 50 ............... ..........................
Pagina 23
... pitch , by prolonging the utterance , or by diminishing the stress . Emphatic words are sometimes indicated by italic letters , though it is generally left to the reader to determine where emphasis should be placed . When different ...
... pitch , by prolonging the utterance , or by diminishing the stress . Emphatic words are sometimes indicated by italic letters , though it is generally left to the reader to determine where emphasis should be placed . When different ...
Pagina 28
... pitch . It is marked thus ( — ) . The degrees of elevation and depression through which the inflections extend are ... pitch . By inexpert readers it is almost always commenced on the medium pitch , and then , in order that it may be ...
... pitch . It is marked thus ( — ) . The degrees of elevation and depression through which the inflections extend are ... pitch . By inexpert readers it is almost always commenced on the medium pitch , and then , in order that it may be ...
Pagina 29
... pitch and rises above it ; in giving the falling inflection , the voice begins above and falls down to the medium pitch , or to a point near it , either a little below or above . The inflection given at a period extends below the medium ...
... pitch and rises above it ; in giving the falling inflection , the voice begins above and falls down to the medium pitch , or to a point near it , either a little below or above . The inflection given at a period extends below the medium ...
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Alte ediții - Afișează-le pe toate
Osgood's Progressive Fifth Reader: Embracing a System of Instruction in the ... Lucius Osgood Vizualizare completă - 1858 |
Termeni și expresii frecvente
arms battle beauty behold Ben Bolt beneath bless blood bosom brave breath Cæsar cesura CHARLES MACKAY clouds cold dare dark dead dear death deep Demosthenes dread dying earth Elihu eyes falchion falling inflection father fear feel fire flowers forever gentlemen GEORGE CROLY Gil Blas give glory grave hand hast hath head hear heard heart heaven hills honor hope human inflection JOSEPH ADDISON Jugurtha Katydid king labor land LESSON liberty light live look lord Micipsa mighty murder never Nevermore night noble Numidia o'er OLIVER GOLDSMITH pause peace PEÑAFLOR Phocis pitch proud round Saladin Samian wine silent slave sleep smile sorrow soul sound speak spirit stars stood storm sweet sword tears tell tempest thee thine thing THOMAS HOOD thou art thought throne thunder unto voice wave wild wind words