"THIS is that terrible Talbot, so famous for his sword, or rather whose sword was so famous for his arm that used it; a sword with bad Latin * upon it, but good steel within it; which constantly conquered where it came, in so much that the bare fame of his approach frighted the French from the siege of Burdeaux." Such is the quaint notice which old Fuller, in his 'Worthies,' gives of Talbot. He is the hero of the play before us; and it is easy to see how his bold, chivalrous bearing, and, above all, the manner of his death, should have made him the favourite of the poet as well as of the chroniclers. His name appears to have been a traditionary household word up to the time of Shakspere; and other writers, besides the chroniclers, rejoiced in allusions to his warlike deeds. Edward Kerke, the commentator on Spenser's 'Pastorals,' thus speaks of him in 1579:-"His nobleness bred such a terror in the hearts of the French, that ofttimes great armies were defeated and put to flight at the only hearing of his name: in so much that the French women, to affray their children, would tell them that the Talbot cometh." By a poetical licence, Talbot, in this act, is made to retake Orleans; whereas in truth his defeat at the Sum Talboti pro vincere inimicos meos. battle of Patay soon followed upon the raising of the siege after the appearance of Joan of Arc. The loss of this battle is attributed, in the description of the messenger in the first act, solely to the cowardice of Sir John Fastolfe; and in the fourth act we are witnesses to the degradation of this kuight upon the same imputation of cowardice. There is scarcely enough in the chroniclers to have warranted the poet in making this charge against Fastolfe so prominent. The account of Holinshed, which we subjoin, is nearly a transcript from Hall: -"From this battle departed, without any strokes stricken, Sir John Fastolfe, the same year for his valiantness elected into the Order of the Garter; for which cause the Duke of Bedford took from him the image of St. George, and his garter, though afterward, by mean of friends and apparent causes of good excuse, the same were to him again delivered, against the mind of the Lord Talbot." It is highly probable that Fastolfe, of whose private character we have an intimate knowledge from those most curious records of social life in the days of Henry VI., the 'Paston Letters,' was a commander whose discretion was habitually opposed to the fiery temperament of Talbot; and that, Talbot being the especial favourite of his soldiers, the memory of Fastolfe was handed down to Shakspere's day as that of one who had contributed to lose France by his timidity, he dying in prosperity and ease in England, whilst the great Talbot perished in the field, leaving in the popular mouth the sentiment which Fuller has preserved, "Henceforward we may say good night to the English in France." The Bastard of Orleans, who appears in this act, gave the first serious blow to the power of the English in France at the battle of Montargis. The scene in the Temple gardens is of purely dramatic creation. It is introduced, we think, with singular judgment, with reference to the purpose of connecting the First Part of Henry VI. with the Second and Third Parts. The scene of the death of Mortimer is introduced with the same object. Edmund Mortimer did not die in confinement, nor was he an old man at the time of his death; but the accounts of the chroniclers are so confused, that the poet has not committed any violation of historical truth, such as it presented itself to him, in dramatising the following passage of Hall (the third year of Henry VI.):-" During which season Edmund Mortimer, the last Earl of March of that name (which long time had been restrained from his liberty, and finally waxed lame), deceased without issue, whose inheritance descended to Lord Richard Plantagenet, son and heir to Richard Earl of Cambridge, beheaded, as you have heard before, at the town of Southampton. Which Richard, within less than thirty years, as heir to this Earl Edmund, in open parliament claimed the crown and sceptre of this realm." Win. Com'st thou with deep premeditated lines, With written pamphlets studiously devis'd, Or thou should'st find thou hast dishonour'd me. Win. Gloster, I do defy thee. Lords, vouchsafe To give me hearing what I shall reply. If I were covetous, ambitious, or perverse, Or raise myself, but keep my wonted calling? As good? War. State holy, or unhallow'd, what of that? Is not his grace protector to the king? Plan. Plantagenet, I see, must hold his tongue; Lest it be said, 'Speak, sirrah, when you should; Must your bold verdict enter talk with lords?' Else would I have a fling at Winchester. [Aside. K. Hen. Uncles of Gloster, and of Winchester, The special watchmen of our English weal, I would prevail, if prayers might prevail, To join your hearts in love and amity. ⚫ Steevens prints this line thus, "for the sake of metre: "— "Am I not the protector, saucy priest?" The opportunities in this play for Steevens's interference in this manner are remarkably few. We should not notice them. except to mention that we hold it of importance to exhibit this play as we have received it, except in cases of manifest error, which rarely occur. It is printed with singular correctness in the original folio. O, what a scandal is it to our crown, That gnaws the bowels of the commonwealth.[A noise within; Down with the tawny couts! What tumult's this? War. An uproar, I dare warrant, Begun through malice of the bishop's men. [A noise again; Stones! Stones!' Enter the Mayor of London, attended. May. O, my good lords, and virtuous Henry, Pity the city of London, pity us! The bishop and the duke of Gloster's men, K. Hen. We charge you, on allegiance to ourself, To hold your slaught'ring hands, and keep the K. Hen. O, how this discord doth afflict my soul! Can you, my lord of Winchester, behold Except you mean, with obstinate repulse, Or I would see his heart out ere the priest War. Behold, my lord of Winchester, the duke Hath banish'd moody discontented fury, hand. That malice was a great and grievous sin: War. Sweet king!-the bishop hath a kindly gird.”— For shame, my lord of Winchester! relent; What, shall a child instruct you what to do? Win. Well, duke of Gloster, I will yield to thee; Love for thy love, and hand for hand I give.` Glo. Ay; but, I fear me, with a hollow heart. See here, my friends, and loving countrymen; This token serveth for a flag of truce, Betwixt ourselves and all our followers: So help me God, as I dissemble not! Win. So help me God, as I intend it not! [Aside. K. Hen. O loving uncle, kind duke of Gloster, How joyful am I made by this contráct! Away, my masters! trouble us no more; But join in friendship, as your lords have done. 1 Serv. Content; I'll to the surgeon's. 2 Serv. And so will I. 3 Serv. And I will see what physic the tavern affords. [Exeunt Servants, Mayor, &c. A kindly gird-a reproof meant in kindness. Falstaff says, "Men of all sorts take a pride to gird at me." War. Accept this scroll, most gracious sovereign; Which in the right of Richard Plantagenet Glo. Well urg'd, my lord of Warwick ;-for, sweet prince, An if your grace mark every circumstance, At Eltham-place I told your majesty. K. Hen. And those occasions, uncle, were of force: Therefore, my loving lords, our pleasure is War. Let Richard be restored to his blood; So shall his father's wrongs be recompens'd. Win. As will the rest, so willeth Winchester. K. Hen. If Richard will be true, not that alone, But all the whole inheritance I give Plan. Thy humble servant vows obedience, And, in reguerdon of that duty done, Plan. And so thrive Richard, as thy foes may fall! And as my duty springs, so perish they of York! Som. Perish, base prince, ignoble duke of York! [Aside. Glo. Now will it best avail your majesty To cross the seas, and to be crown'd in France: The presence of a king engenders love Amongst his subjects, and his loyal friends; As it disanimates his enemies. K. Hen. When Gloster says the word, king For friendly counsel cuts off many foes. Not seeing what is likely to ensue: |