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flowers. Every blast shook spices from the rocks, and every month dropped fruits upon the ground. All animals that bite the grass or browse the shrub, whether wild or tame, wandered in this extensive circuit, secured from beasts of prey by the mountains which confined them.

5. On one part were flocks and herds feeding in the pastures; on another, all the beasts of chase frisking in the lawns; the sprightly kid was bounding on the rocks, the subtle monkey frolicking in the trees, and the solemn elephant reposing in the shade. All the diversities of the world were brought together; the blessings of nature were collected, and its evils extracted and excluded.

6. The valley, wide and fruitful, supplied its inhabitants with the necessaries of life; and all delights and superfluities were added at the annual visit which the Emperor paid his children, when the iron gate was opened to the sound of music, and during eight days every one that resided in the valley was required to propose whatever might contribute to make seclusion pleasant, to fill up the vacancies of attention, and lessen the tediousness of the time.

7. Every desire was immediately granted. All the artificers of pleasure were called to gladden the festivity; the musicians exerted the power of harmony, and the dancers showed their activity before the princes, in hope that they should pass their lives in this blissful captivity, to which those only were admitted whose performance was thought capable of adding novelty to luxury.

8. Such was the appearance of security and delight which this retirement afforded, that they to whom it was new always desired that it might be perpetual; and as

those on whom the iron gate had once closed were never suffered to return, the effect of long experience could not be known. Thus every year produced new schemes of delight and new competitors for imprisonment.

Samuel Johnson.

FOR PREPARATION.-I. From " Rasselas," Chapter I. Johnson's first literary work was a translation of Father Lobo's "Voyage to Abyssinia." About twenty-five years later appeared "Rasselas, Prince of Abyssinia," his most celebrated work. The object of the book is to show that, if all the physical wants of man were supplied as fast as they arose, still he would be unhappy, because of a spiritual want. He investigates different occupations of man, and discusses them with a profound insight.

II. Con-çealed', ar-tif'-i-çerş, fōrged, en'-e-mieş, de-scend'-ed, spē'-ciēs (-shēz), fre-quěnt'-ed, çîr'-euit (-kit), sub'-tile, sŏl'-emn (-em), ěl'-e-phant, ăn'-nu-al, te'-di-ous-ness, fruit'-ful (frut'-), mu-şi'-cian (-zish'an).

III. All words are derived from roots (radicals, or simple uncompounded bases) by modifications through prefixes, suffixes, or internal changes. The prefixes and suffixes, and internal changes, modify or change the original meaning of the root, so as to make it an action-word, a describing-word, nameword, relation-word, manner-word, etc. For example: the prefix wo changes man to woman (wife-man-fe-min-ine); the suffix ly changes man to manly (manlike a describing-word); and the internal change of a to e changes man to men (singular to plural). To show what possibilities of varied use a root has, let us present the following etymological fancies, which have at least a basis of fact: Take the root gr (er or kr)—the throat sounds g and k appear to express cause or origin most frequently; the liquids, l, r, m, and n, express more readily different kinds of moving effect; the dentals, d, t, oftenest a dead result or external limitation, hence occurring in demonstratives or pointing-out words, as this, that, etc. What could be more appropriate than to express by gr, kr, a cause or origin which had a moving effect (i. e., growth of living beings, animal or vegetable)?-grow, growth, growing, grown, grass, green (gro-en—hence green, the color of growing plants, and grass, which once meant all plants), grand and great (that which has grown to a result), grain, granary, germ; then, from the other form of its root, er (kr), increase, crescent, kernel, corn (the kernel of the body is the heart = cor, cordis in Latin, kardia in Greek-k becomes h, and our word heart has the same derivation as the Latin and Greek words), heart, cordial, acorn (oakcorn?), (the grain or corn has a hard, horny covering, and cornu in Latin,

and keras, Greek, mean "horn "), horn, cornute (horn is hard Greek kartos, which may be from the same root, through kratos, meaning strong, as growth is also the source of strength), create, and its derivatives. In study. ing language, one is apt to be misled by similarity of sound and meaning. The only scientific certainty that can be reached in this study is by tracing derivation historically, step by step, back through the earlier stages of the languages, to the parent language. Hence we call this study of the root gr an "etymological fancy." It is not presented historically.

IV. Policy, antiquity, destined, spacious, cavern, dispute, massy, rivulets, verdure, superfluities, precipice, browse, secured, pastures, frolicking, diversities, resided, seclusion, vacancies, artificers, festivity, harmony, perpetual, competitors.

V. Notice the lack of simplicity in the style-the use of long, unusual words to describe very ordinary things. It is an elevation of language rather than of thought. It was considered a mark of elegance and refinement, in Johnson's time, to reject the pithy and strong colloquial phrases as vulgarisms, and to use a stilted vocabulary of semi-Latin words. The sentences, too, must not be short and with single subject and predicate, but long and symmetrical, so as to sound rhythmical. Instead of "made by the smiths of past ages, heavy and difficult to move," he says "forged by the artificers of ancient days, so massy that no man could, without the help of engines, open or shut them" (2). Note, too, the alliteration in this semirhythmical prose: in the 3d paragraph count the f's and v's that occur (a dozen or more in the first sentence). See how (last sentence of paragraph 3) he tells us the simple fact of a river forming the outlet of the lake, passing north through a narrow gorge in the mountains, and descending in cataracts till it reached the plain. Select other examples similar to these, and give the thoughts and ideas in your own language. (For learning to write a good style yourself, and for getting the power to understand readily the style of another, there is no other method so good as this one of paraphrasing.)

CV. THE DREAM OF CLARENCE.

Brakenbury-Why looks your grace so heavily to-day? Clarence Oh, I have passed a miserable night— So full of ugly sights, of ghastly dreams, That, as I am a Christian faithful man,

I would not spend another such a night,

Though 'twere to buy a world of happy days--
So full of dismal terror was the tine!

Brak. What was your dream, my lord? I pray you, tell me.

Clar.-Methought that I had broken from the Tower, And was embarked to cross to Burgundy,

And in my company my brother Gloster;
Who from my cabin tempted me to walk
Upon the hatches.

land,

Thence we looked toward Eng

And cited up a thousand heavy times,

During the wars of York and Lancaster,

That had befall'n us. As we passed along
Upon the giddy footing of the hatches,
Methought that Gloster stumbled; and, in falling,
Struck me, that sought to stay him, overboard,
Into the tumbling billows of the main.

O Heaven! methought what pain it was to drown!
What dreadful noise of water in my ears!
What sights of ugly death within my eyes!
I thought I saw a thousand fearful wrecks;
A thousand men that fishes gnawed upon;
Wedges of gold, great anchors, heaps of pearl,
Inestimable stones, unvalued jewels,

All scattered in the bottom of the sea.

Some lay in dead men's skulls; and in those holes
Where eyes did once inhabit there were crept,
As 'twere in scorn of eyes, reflecting gems,
That wooed the slimy bottom of the deep,
And mocked the dead bones that lay scattered by.

Brak. Had you such leisure in the time of death
To gaze upon these secrets of the deep?

Clar.-Methought I had; and often did I strive
To yield the ghost; but still the envious flood
Kept in my soul, and would not let it forth
To find the empty, vast, and wand'ring air;
But smothered it within my panting bulk,
Which almost burst to belch it in the sea.

Brak.-Awaked you not with this sore agony?

Clar.-No, no! my dream was lengthened after life;
Oh, then began the tempest to my soul!
I passed, methought, the melancholy flood
With that grim ferryman which poets write of,
Unto the kingdom of perpetual night.

The first that there did greet my stranger soul
Was my great father-in-law, renownéd Warwick,
Who cried aloud, "What scourge for perjury
Can this dark monarchy afford false Clarence?"
And so he vanished. Then came wandering by
A shadow like an angel, with bright hair
Dabbled in blood; and he shrieked out aloud,
"Clarence is come-false, fleeting, perjured Clarence-
That stabbed me in the field by Tewksbury!

Seize on him, Furies! Take him to your torments ! »
With that, methought a legion of foul fiends
Environed me, and howléd in mine ears
Such hideous cries, that, with the very noise,
I trembling waked, and, for a season after,
Could not believe but that I was in hell-
Such terrible impression made my dream.

Brak.-No marvel, lord, that it affrighted you!
I am afraid, methinks, to hear you tell it.

Clar.-Ah! Brakenbury, I have done these things, That now give evidence against my soul,

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