The Works of William ShakespeareMacmillan, 1866 |
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Pagina x
... hand of Shakespeare is traceable in many of the scenes , and that throughout the play he largely retouched , and even rewrote , the work of some inferior dramatist . But the text has come down to us in so maimed and imperfect a state ...
... hand of Shakespeare is traceable in many of the scenes , and that throughout the play he largely retouched , and even rewrote , the work of some inferior dramatist . But the text has come down to us in so maimed and imperfect a state ...
Pagina xx
... hand has effaced the touch of the master . And these blemishes cannot be entirely removed , even by the most brilliant conjectural criticism , because the materials are wanting . Little more can be done than has been done already by ...
... hand has effaced the touch of the master . And these blemishes cannot be entirely removed , even by the most brilliant conjectural criticism , because the materials are wanting . Little more can be done than has been done already by ...
Pagina xxii
... hand of Shakespeare are , as a rule , the most uniform , that is , the most modern , in spelling : it follows therefore that the variations found in other copies are due to the caprice or indifference of transcribers or printers , and ...
... hand of Shakespeare are , as a rule , the most uniform , that is , the most modern , in spelling : it follows therefore that the variations found in other copies are due to the caprice or indifference of transcribers or printers , and ...
Pagina xxiv
... hand and verbal am- biguities on the other , is sanctioned by the practice of the Poet Laureate . 6. We have retained one archaism : namely , " ld ' as an abbreviation of ' would ' , the most general form in the 1 Quartos and Folios ...
... hand and verbal am- biguities on the other , is sanctioned by the practice of the Poet Laureate . 6. We have retained one archaism : namely , " ld ' as an abbreviation of ' would ' , the most general form in the 1 Quartos and Folios ...
Pagina 7
... hand . Enter ENOBARBUS . Eno . Bring in the banquet quickly ; wine enough Cleopatra's health to drink . Char . Good sir , give me good fortune . Sooth . I make not , but foresee . Char . Pray then , foresee me one . 10 Sooth . You shall ...
... hand . Enter ENOBARBUS . Eno . Bring in the banquet quickly ; wine enough Cleopatra's health to drink . Char . Good sir , give me good fortune . Sooth . I make not , but foresee . Char . Pray then , foresee me one . 10 Sooth . You shall ...
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Anon Antony Bawd beauty Becket conj Boult Cæs Cæsar Capell conj Char Charmian Cleo Cleopatra Cloten Collier conj Cymbeline dead death Dionyza Divided dost doth Dyce edition ends the lines England's Helicon Enobarbus Enter Eros Exeunt Exit eyes F₁ F₂ fair fear friends Gildon gods GUIDERIUS Hanmer hath hear heart heaven honour Hyphened by Malone Iach Iachimo Imogen Iras Jackson conj Johnson conj Keightley king lady line ends line in Ff line in Rowe Lintott and Gildon look lord love's Lucrece Lysimachus madam Malone Capell Malone conj Mark Antony mistress Mytilene night pell Pericles Pisanio Pompey Pope Posthumus pray Prince of Tyre Prose in Ff Prose in QqF3F4 Q₁ Q₁Q₂Q3 Q₂Q3 QqF3 queen Re-enter reading rest SCENE Sewell Shakespeare shame speak Steevens conj sweet thee Theobald thine thou art Walker conj Warburton ΙΟ